recurring visual imagery: quarantine + isolation
neon genesis evangelion, dir. hideaki anno (1995)
(via jwasontodd)
“Destruction of Mother Lee.” Cast up by the sea. 1916.
Mood. Stop taking babies from their mothers.
(via l-u-n-a)
Paint-on-glass animation is a technique for making animated films by manipulating slow-drying oil-paints on sheets of glass as the animator gradually alters the shapes they create, and during this process, a camera records each finished ‘frame’.
When adapting ONE’s Mob Psycho 100, director Yuzuru Tachikawa wanted to adapt the source material in fantastic ways. And so, by combining the talents of a skilled staff, an anime with an incredible mix of animation techniques was born.
Mob Psycho’s ending, and a good portion of the paranormal scenes are a complex product of paint-on-glass animation, done by Miyo Sato, a Tokyo University of Arts graduate and animator who has had her work nominated for multiple international animation awards.
(via mob-psycho-100)
